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DTSTART;TZID=America/New_York:20261106T200000
DTEND;TZID=America/New_York:20261106T200000
DTSTAMP:20261110T221150
CREATED:20260720T172305Z
LAST-MODIFIED:20261105T124651Z
UID:12463-1793995200-1793995200@thevirtuosi.org
SUMMARY:Wieniawski\, Stieler (World Premiere) & Polaczyk
DESCRIPTION:A part of the 2026 POLISH HERITAGE FESTIVAL:\nCelebrating the heritage of Henryk Wieniawski in the United States: \nViolin Concerto no. 2\, op. 22…………………………….Henryk Wieniawski \nViolin Concerto no. 1 (World Premiere)………………Bernard Stieler \nPacierz Staropolski for Baritone and Orchestra…..Jakub Polaczyk \nAdrian Sylveen – violin\nLaurentiu Rotaru – bass-baritone \nConnecticut Virtuosi Chamber Orchestra\nPrzemyslaw Stanislawski\, guest conductor \n\nBernard Stieler (born August 16\, 1951\, in Poland) is a composer and violinist. He studied composition with Professor Andrzej Koszewski at the State Higher School of Music in Poznań (now the Academy of Music) from 1973 to 1978. His musical career began in 1970 with the vocal-instrumental ensemble Millenium\, associated with the Dominican community in Poznań. He subsequently collaborated with numerous church choirs and ensembles throughout Poland\, including the Dominican Sacrosong Group (1978–1982)\, with which he participated in celebrations surrounding Pope John Paul II’s first pilgrimage to Poland in 1979. His cantata Redemptor Hominis\, composed in honor of the Pope’s election\, was performed in Kraków during that historic visit. He also participated in musical events accompanying the Pope’s second pilgrimage in 1983. Stieler worked as a violinist with the Poznań Philharmonic\, the Pilska Chamber Orchestra\, and the Karol Kurpiński Greater Poland Symphony Orchestra. Since retiring from performing in 2012\, he has devoted himself exclusively to composition. His extensive output encompasses instrumental\, vocal\, and choral music\, including a Violin Concerto\, two piano concertos\, works for horn\, sixteen Masses\, two papal cantatas\, and more than 300 songs\, including numerous settings of Ave Maria. He has also composed 25 children’s symphonies for string orchestra. His compositions have received numerous awards and distinctions in national competitions in Poland. His works are published by POLIHYMNIA Music Publishing House. \n\nJakub Polaczyk is a Polish-born\, New York-based composer\, pianist\, educator\, and cultural advocate whose music is celebrated for its imaginative synthesis of contemporary techniques\, classical traditions\, and diverse cultural influences. Drawing inspiration from spirituality\, ritual\, history\, and intercultural dialogue\, his works create distinctive sonic landscapes that balance expressive lyricism with innovative musical language. He has been recognized internationally for a body of work that reflects both his Polish heritage and a global artistic perspective. Polaczyk studied at the Jagiellonian University and the Krzysztof Penderecki Academy of Music in Kraków before continuing his education at Carnegie Mellon University in the United States. His teachers included notable figures such as Krzysztof Penderecki and Reza Vali. His compositions have been presented at major festivals and conferences across Europe\, North and South America\, Asia\, and Australia\, and performed by leading ensembles and orchestras at venues including Carnegie Hall and other prominent concert halls worldwide. Polaczyk has received numerous distinctions\, among them the American Prize in Composition and multiple international awards recognizing both his creative achievements and artistic leadership. In addition to his career as a composer and pianist\, Polaczyk serves on the faculty of The New York Conservatory of Music\, contributing actively to musical education and cultural life in New York and beyond. \n\nPrzemyslaw Stanislawski was born in Poznań\, where he began his musical education at age six. He graduated in music theory from the Academy ofMusic in Poznań and in symphonic-opera conducting from the Fryderyk Chopin Academy of Music in Warsaw under Prof. Henryk Czyż. In 1983\, Stanislawski founded the male vocal ensemble “Affabre Concinui\,” serving as its artistic director until 1992. He worked as an assistant conductor at the Pomeranian Philharmonic in Bydgoszcz (1986–1991)\, where he also established the Polish Chamber Choir. As a conductor\, he has performed internationally—including in Belgium\, France\, Spain\, Japan\, and the USA—with orchestras such as Camerata Academia\, Warsaw Chamber Orchestra\, Polish Sinfonietta\, and various Polish philharmonics. Notable career highlights include conducting G. Ligeti’s Requiem at the Flanders Music Festival (1991)\, Beethoven’s Ninth Symphony in Nantes (1992)\, representing Poland at EXPO 92 in\nSeville\, and performing Bach and Stravinsky at the Kyoto International Music Festival (1993).  Since October 1993\, he has taught at the Stanislaw Moniuszko Academy of Music in Gdańsk\, directing cantata-oratorio and opera ensembles\, and teaching symphonic-opera conducting since 2017. He has prepared dozens of opera and oratorio premieres\, including several Polish and world premieres by composers like Handel\, Hasse\, Kassern\, Menotti\, and Rimsky-Korsakov. Stanislawski has recorded extensively for radio\, television\, and CD. From 1995 to 2000\, he collaborated with the Fryderyk Chopin Academy of Music Orchestra. Since 2010\, he has been the artistic director of the Crown Tribunal Choir and Orchestra in Lublin\, and led the Camerata Lubelska from 2011 to 2015\, conducting numerous world premieres. In 2018\, he arranged and conducted Adam Walicki’s musical setting of the Millennium Bible for KUL’s centenary concert\, “I Am\,” featuring prominent Polish artists. \n\nRomanian-born bass-baritone Laurentiu Rotaru is an acclaimed performer whose career spans opera\, concert\, and oratorio repertoire. Trained at the Conservatory of Bucharest\, he performed with the National Opera of Bucharest before establishing himself in the United States. A resident of Connecticut\, he holds degrees in music performance from Central Connecticut State University and the University of Connecticut. Mr. Rotaru has appeared with numerous opera companies and orchestras throughout North America and Europe\, including Connecticut Lyric Opera\, Connecticut Virtuosi\, Virtuosi OPERA\, Mississippi Opera\, Shreveport Opera\, Opera Theater of Connecticut\, and Cleveland Opera Circle. His repertoire includes such distinguished bass roles as Sarastro (Die Zauberflöte)\, Leporello (Don Giovanni)\, Don Basilio (Il barbiere di Siviglia)\, Sparafucile (Rigoletto)\, and Méphistophélès (Faust). A prizewinner in several vocal competitions\, including the National Association of Teachers of Singing Competition and the Connecticut Guild Opera Competition\, Rotaru made his Carnegie Hall debut in 2004. Equally at home in sacred and symphonic repertoire\, he is a sought-after interpreter of major works such as Handel’s Messiah\, Mozart’s Requiem\, Brahms’ Ein deutsches Requiem\, and Dvořák’s Requiem. \n\nAward-winning musician\, Adrian Sylveen enjoys a performing career in the United States and Europe. He is a founder and artistic director of the Connecticut Virtuosi Chamber Orchestra (USA) and the Greve Opera Academy and Chamber Music Festival (Italy). He also appears frequently with Teatro Lirico D’Europa (USA) and Camerata Gdynia (Poland). Mr. Sylveen has conducted approximately 35 operatic titles and has an extensive orchestral and oratorio repertoire. He has conducted and performed concerts in the United States\, Poland\, Italy\, Israel\, Cuba\, Switzerland\, Germany\, Austria\, and the former Soviet Union. Between 2004-2024\, Mr. Sylveen was a co-founder\, artistic director\, and the principal conductor of the Connecticut Lyric Opera\, which he developed from a local group into a regionally recognized performing arts company. He worked with such ensembles as Israeli Chamber Orchestra\, Olsztyn Philharmonic\, Elbląg Chamber Orchestra\, Classical Orchestra of Piła (Poland)\, Associazione Il Contrappunto (Italy)\, Holguín Symphony Orchestra (Cuba)\, Orchestra da Camera di Greve-In-Chianti (Italy)\, Central Massachusetts Symphony Orchestra\, the New Britain Chorale\, Coro di teatro Garibaldi\, Chór Akademii Staszica (Piła\, Poland)\, among others. A winner of many prizes in Europe and the United States\, he received the American Council for Polish Culture Primus Inter Pares Award from the President of the Republic of Poland and received permanent US residence for “Extraordinary Abilities in the Arts”. Mr. Sylveen holds DMA degree from the Gdansk Music Academy\, Master of Music and Artist Diploma degrees from the Yale University School of Music; he is also a graduate of the Paderewski Music Academy in Poznan\, Poland (diploma with distinction). During the school years\, he participated in several international Festivals in Weimar\, Łancut\, Żagań\, and others.
URL:http://thevirtuosi.org/event/wieniawski-premieres-stieler-tracz-2/
LOCATION:St. Stanislaus B&M Church\, 101 E 7th Street\, New York\, NY\, 10009
CATEGORIES:“We the People” Immigrant Stories in Music,2026 Polish Festival,2026-2027 Season,New York City,NYC,Y27 Concerts
ATTACH;FMTTYPE=image/png:http://thevirtuosi.org/wp-content/uploads/2026/07/2026-11-06.png
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261105T193000
DTEND;TZID=America/New_York:20261105T193000
DTSTAMP:20261110T221150
CREATED:20260720T171804Z
LAST-MODIFIED:20261105T124553Z
UID:12459-1793907000-1793907000@thevirtuosi.org
SUMMARY:Wieniawski\, Stieler (World Premiere) & Polaczyk
DESCRIPTION:2026 POLISH HERITAGE FESTIVAL:\nCelebrating the heritage of Henryk Wieniawski in the United States: \nViolin Concerto no. 2\, op. 22…………………………….Henryk Wieniawski \nViolin Concerto no. 1 (World Premiere)………………Bernard Stieler \nPacierz Staropolski for Baritone and Orchestra…..Jakub Polaczyk \nAdrian Sylveen – violin\nLaurentiu Rotaru – bass-baritone \nConnecticut Virtuosi Chamber Orchestra\nPrzemyslaw Stanislawski\, guest conductor \n\nBernard Stieler (born August 16\, 1951\, in Poland) is a composer and violinist. He studied composition with Professor Andrzej Koszewski at the State Higher School of Music in Poznań (now the Academy of Music) from 1973 to 1978. His musical career began in 1970 with the vocal-instrumental ensemble Millenium\, associated with the Dominican community in Poznań. He subsequently collaborated with numerous church choirs and ensembles throughout Poland\, including the Dominican Sacrosong Group (1978–1982)\, with which he participated in celebrations surrounding Pope John Paul II’s first pilgrimage to Poland in 1979. His cantata Redemptor Hominis\, composed in honor of the Pope’s election\, was performed in Kraków during that historic visit. He also participated in musical events accompanying the Pope’s second pilgrimage in 1983. Stieler worked as a violinist with the Poznań Philharmonic\, the Pilska Chamber Orchestra\, and the Karol Kurpiński Greater Poland Symphony Orchestra. Since retiring from performing in 2012\, he has devoted himself exclusively to composition. His extensive output encompasses instrumental\, vocal\, and choral music\, including a Violin Concerto\, two piano concertos\, works for horn\, sixteen Masses\, two papal cantatas\, and more than 300 songs\, including numerous settings of Ave Maria. He has also composed 25 children’s symphonies for string orchestra. His compositions have received numerous awards and distinctions in national competitions in Poland. His works are published by POLIHYMNIA Music Publishing House. \n\nJakub Polaczyk is a Polish-born\, New York-based composer\, pianist\, educator\, and cultural advocate whose music is celebrated for its imaginative synthesis of contemporary techniques\, classical traditions\, and diverse cultural influences. Drawing inspiration from spirituality\, ritual\, history\, and intercultural dialogue\, his works create distinctive sonic landscapes that balance expressive lyricism with innovative musical language. He has been recognized internationally for a body of work that reflects both his Polish heritage and a global artistic perspective. Polaczyk studied at the Jagiellonian University and the Krzysztof Penderecki Academy of Music in Kraków before continuing his education at Carnegie Mellon University in the United States. His teachers included notable figures such as Krzysztof Penderecki and Reza Vali. His compositions have been presented at major festivals and conferences across Europe\, North and South America\, Asia\, and Australia\, and performed by leading ensembles and orchestras at venues including Carnegie Hall and other prominent concert halls worldwide. Polaczyk has received numerous distinctions\, among them the American Prize in Composition and multiple international awards recognizing both his creative achievements and artistic leadership. In addition to his career as a composer and pianist\, Polaczyk serves on the faculty of The New York Conservatory of Music\, contributing actively to musical education and cultural life in New York and beyond. \n\nPrzemyslaw Stanislawski was born in Poznań\, where he began his musical education at age six. He graduated in music theory from the Academy ofMusic in Poznań and in symphonic-opera conducting from the Fryderyk Chopin Academy of Music in Warsaw under Prof. Henryk Czyż. In 1983\, Stanislawski founded the male vocal ensemble “Affabre Concinui\,” serving as its artistic director until 1992. He worked as an assistant conductor at the Pomeranian Philharmonic in Bydgoszcz (1986–1991)\, where he also established the Polish Chamber Choir. As a conductor\, he has performed internationally—including in Belgium\, France\, Spain\, Japan\, and the USA—with orchestras such as Camerata Academia\, Warsaw Chamber Orchestra\, Polish Sinfonietta\, and various Polish philharmonics. Notable career highlights include conducting G. Ligeti’s Requiem at the Flanders Music Festival (1991)\, Beethoven’s Ninth Symphony in Nantes (1992)\, representing Poland at EXPO 92 in\nSeville\, and performing Bach and Stravinsky at the Kyoto International Music Festival (1993).  Since October 1993\, he has taught at the Stanislaw Moniuszko Academy of Music in Gdańsk\, directing cantata-oratorio and opera ensembles\, and teaching symphonic-opera conducting since 2017. He has prepared dozens of opera and oratorio premieres\, including several Polish and world premieres by composers like Handel\, Hasse\, Kassern\, Menotti\, and Rimsky-Korsakov. Stanislawski has recorded extensively for radio\, television\, and CD. From 1995 to 2000\, he collaborated with the Fryderyk Chopin Academy of Music Orchestra. Since 2010\, he has been the artistic director of the Crown Tribunal Choir and Orchestra in Lublin\, and led the Camerata Lubelska from 2011 to 2015\, conducting numerous world premieres. In 2018\, he arranged and conducted Adam Walicki’s musical setting of the Millennium Bible for KUL’s centenary concert\, “I Am\,” featuring prominent Polish artists. \n\nRomanian-born bass-baritone Laurentiu Rotaru is an acclaimed performer whose career spans opera\, concert\, and oratorio repertoire. Trained at the Conservatory of Bucharest\, he performed with the National Opera of Bucharest before establishing himself in the United States. A resident of Connecticut\, he holds degrees in music performance from Central Connecticut State University and the University of Connecticut. Mr. Rotaru has appeared with numerous opera companies and orchestras throughout North America and Europe\, including Connecticut Lyric Opera\, Connecticut Virtuosi\, Virtuosi OPERA\, Mississippi Opera\, Shreveport Opera\, Opera Theater of Connecticut\, and Cleveland Opera Circle. His repertoire includes such distinguished bass roles as Sarastro (Die Zauberflöte)\, Leporello (Don Giovanni)\, Don Basilio (Il barbiere di Siviglia)\, Sparafucile (Rigoletto)\, and Méphistophélès (Faust). A prizewinner in several vocal competitions\, including the National Association of Teachers of Singing Competition and the Connecticut Guild Opera Competition\, Rotaru made his Carnegie Hall debut in 2004. Equally at home in sacred and symphonic repertoire\, he is a sought-after interpreter of major works such as Handel’s Messiah\, Mozart’s Requiem\, Brahms’ Ein deutsches Requiem\, and Dvořák’s Requiem. \n\nAward-winning musician\, Adrian Sylveen enjoys a performing career in the United States and Europe. He is a founder and artistic director of the Connecticut Virtuosi Chamber Orchestra (USA) and the Greve Opera Academy and Chamber Music Festival (Italy). He also appears frequently with Teatro Lirico D’Europa (USA) and Camerata Gdynia (Poland). Mr. Sylveen has conducted approximately 35 operatic titles and has an extensive orchestral and oratorio repertoire. He has conducted and performed concerts in the United States\, Poland\, Italy\, Israel\, Cuba\, Switzerland\, Germany\, Austria\, and the former Soviet Union. Between 2004-2024\, Mr. Sylveen was a co-founder\, artistic director\, and the principal conductor of the Connecticut Lyric Opera\, which he developed from a local group into a regionally recognized performing arts company. He worked with such ensembles as Israeli Chamber Orchestra\, Olsztyn Philharmonic\, Elbląg Chamber Orchestra\, Classical Orchestra of Piła (Poland)\, Associazione Il Contrappunto (Italy)\, Holguín Symphony Orchestra (Cuba)\, Orchestra da Camera di Greve-In-Chianti (Italy)\, Central Massachusetts Symphony Orchestra\, the New Britain Chorale\, Coro di teatro Garibaldi\, Chór Akademii Staszica (Piła\, Poland)\, among others. A winner of many prizes in Europe and the United States\, he received the American Council for Polish Culture Primus Inter Pares Award from the President of the Republic of Poland and received permanent US residence for “Extraordinary Abilities in the Arts”. Mr. Sylveen holds DMA degree from the Gdansk Music Academy\, Master of Music and Artist Diploma degrees from the Yale University School of Music; he is also a graduate of the Paderewski Music Academy in Poznan\, Poland (diploma with distinction). During the school years\, he participated in several international Festivals in Weimar\, Łancut\, Żagań\, and others.
URL:http://thevirtuosi.org/event/phf4/
LOCATION:First Presbyterian Church in Hartford\, 136 Capitol Ave\, Hartford\, CT\, 06105
CATEGORIES:“We the People” Immigrant Stories in Music,2026 Polish Festival,2026-2027 Season,CT,Hartford,Y27 Concerts
ATTACH;FMTTYPE=image/png:http://thevirtuosi.org/wp-content/uploads/2026/07/2026-11-051.png
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261101T180000
DTEND;TZID=America/New_York:20261101T180000
DTSTAMP:20261110T221150
CREATED:20260720T171314Z
LAST-MODIFIED:20261030T170438Z
UID:12454-1793556000-1793556000@thevirtuosi.org
SUMMARY:Szymanowski & Tracz (World Premiere)
DESCRIPTION:2026 POLISH HERITAGE FESTIVAL\nViolin Concerto no.2\, op. 61……………………..Karol Szymanowski\n        Brunilda Myftaraj\, violin \n“In Via” for Choir Soloists & Orchestra ….….Sandra Tracz\nA meditation on John Paul II (World Premiere) \nStabat Mater\, op. 53………………………………..Karol Szymanowski\n         Laura Anderini\, soprano (Szymanowski)\n         Emily Tate Daniel\, soprano (Tracz)\n         AddieRose Brown\, alto\n         Laurentiu Rotaru\, bass (Tracz)\n         Wojciech Bonarowski\, baritone (Szymanowski) \nPolonia Children’s Choir\nMoniuszko Choir \nConnecticut Virtuosi Chamber Orchestra\nAdrian Sylveen\, conductor \n  \n \nAlbanian-American violinist Brunilda Myftaraj has drawn enthusiastic accolades from audiences as well as critical acclaim for her masterful musicianship in Albania\, Italy\, Greece\, France\, Morocco\, Austria\, Switzerland\, Poland\, Israel\, and in the United States. She has been praised by the New London Day critic as an “especially fine and beautiful player”. Although Myftaraj’s teachers are some of the world’s finest\, her true inspiration comes from audiences and her students. Her recordings of“Naked Violin” and “The American Pie” received impeccable reviews from Fanfare magazine. Brunilda was part of the Love’s Tango recording project with Alex Nakimovsky and June Bizantz\, which has been awarded a 2019 Silver Global Music Award. Currently Ms. Myftaraj holds the position of Concertmaster for the Connecticut Virtuosi Chamber Orchestra and Opera as well as the Greve opera festival in Italy. Brunilda has been a violin\, viola and chamber music teacher for over twenty five years in Farmington and Hartford Connecticut. Ms. Myftaraj has appeared at Carnegie hall as a soloist for several performances with the Virtuosi chamber orchestra with works by J.S.Bach\, W.A.Mozart and Alban Berg. She is a member of the Berkshire Bach Society. She holds a BA degree from the conservatory of the fine arts in Tirana\, Albania and MM in performance from Stony brook University in LI\, NY \nLaura Andreini is an accomplished soprano with over fifteen years of experience performing in prominent national and international opera productions and concert series.She began her musical education as a pianist in Arezzo before shifting her focus to vocal performance. She attended the Royal Conservatory of The Hague and graduated with highest honors from the Istituto di Alta Formazione Musicale R. Franci in Siena in 2010. She further honed her skills through prestigious programs\, including the Maggio Musicale Fiorentino Formation\, the Opera Studio Verista in Livorno\, and under the guidance of renowned masters like Luciana Serra and Celso Albelo. An internationally active artist\, Andreini has performed across major Italian venues such as the Teatro del Maggio Musicale Fiorentino\, Teatro Goldoni\, and Milan’s Auditorium della Sinfonica. Her global career spans numerous countries across Europe\, the Americas\, and Africa\, including notable appearances at Carnegie Hall in New York\, as well as performances in Russia\, Germany\, France\, Austria\, and Switzerland. She frequently collaborates with leading ensembles\, including the Maggio Musicale Fiorentino Chamber Orchestra. \n \nHailed for her “powerful\, rich voice with great control”\, Emily Tate Daniel is an American soprano on the rise. In the 2025 – 2026 season\, Emily makes her role debut as Nedda in Pagliacci with Greve Opera in July 2025\, a role she reprises in November 2025 with Connecticut Virtuosi Opera. She debuts with Regina Opera as Suor Dolcina in Suor Angelica\, covers the title role in Madama Butterfly with Maryland Opera\, sings Frasquita in Carmen with Connecticut Virtuosi Opera\, and performs the title role in Suor Angelica with Camerata Bardi Vocal Academy. Previous seasons have seen Emily as the title role in Luisa Miller at Verismo Opera\, Alice Ford (cover) in Falstaff at Opera San José\, Tosca (cover) in Tosca at Livermore Valley Opera\, and Erste Dame in Die Zauberflöte at Asheville Lyric Opera. She is an alumna of the San Francisco Conservatory and the Peabody Conservatory. \nPraised for her “velvety mezzo” (Wall Street Journal) and “warm and brilliant sound\, dripping with pathos” (Observer)\, AddieRose Brown brings heartfelt authenticity and theatrical imagination to both opera and concert stages. In the 2025–26 season she makes her mainstage debut with Opera on the James as Suzuki in Madama Butterfly\, returns to the Hudson Valley Singers for a solo program\, and appears as Belinda in Dido & Aeneas in Troy and Saratoga Springs. Her 2024–25 season included a Resident Artist appointment with Teatro Nuovo\, a company debut with Cambridge Chamber Ensemble in Menotti’s Labyrinth\, performances with Experiments in Opera\, and solo appearances in Mozart’s Coronation Mass and Corigliano’s Fern Hill. She also debuted with Giannetta in L’elisir d’amore\, Hansel in Hansel and Gretel\, and Siebel in Heartbeat Opera’s Faust. A passionate curator of new and poetic programs\, AddieRose has premiered works by living composers\, won NYC songSLAM\, and continues to champion contemporary American song. \nRomanian-born bass-baritone Laurentiu Rotaru is an acclaimed performer whose career spans opera\, concert\, and oratorio repertoire. Trained at the Conservatory of Bucharest\, he performed with the National Opera of Bucharest before establishing himself in the United States. A resident of Connecticut\, he holds degrees in music performance from Central Connecticut State University and the University of Connecticut. Mr. Rotaru has appeared with numerous opera companies and orchestras throughout North America and Europe\, including Connecticut Lyric Opera\, Connecticut Virtuosi\, Virtuosi OPERA\, Mississippi Opera\, Shreveport Opera\, Opera Theater of Connecticut\, and Cleveland Opera Circle. His repertoire includes such distinguished bass roles as Sarastro (Die Zauberflöte)\, Leporello (Don Giovanni)\, Don Basilio (Il barbiere di Siviglia)\, Sparafucile (Rigoletto)\, and Méphistophélès (Faust). A prizewinner in several vocal competitions\, including the National Association of Teachers of Singing Competition and the Connecticut Guild Opera Competition\, Rotaru made his Carnegie Hall debut in 2004. Equally at home in sacred and symphonic repertoire\, he is a sought-after interpreter of major works such as Handel’s Messiah\, Mozart’s Requiem\, Brahms’ Ein deutsches Requiem\, and Dvořák’s Requiem. \n \nWojciech Bonarowski is a graduate of the Academy of Music in Gdańsk (Faculty of Vocal and Acting Studies). He refined his vocal technique under the guidance of Halina Mickiewiczówna and Piotr Kusiewicz\, and through masterclasses with Ryszard Karczykowski\, Kaludi Kaludov\, Roland Panerai\, Katia Ricciarelli\, and Renata Scotto. He currently collaborates with conductor and pianist Pablo Zinger. He has performed in Poland and internationally\, including two tours across Western Europe with the ensemble of the Wrocław Opera as a soloist in The Magic Flute by W.A. Mozart. In the USA and Canada\, he has appeared at Carnegie Hall\, Notre-Dame Basilica in Montreal\, St. Patrick’s Cathedral in New York\, as well as at numerous prestigious cultural events within Polish diaspora communities. He is a finalist of the Marcella Sembrich-Kochańska International Vocal Competition in New York (2012) and the First Prize winner of the Nadezhda Obukhova International Vocal Competition in New York (2013). Most recently\, he appeared in the prestigious gala concert “The Magic of Operetta”\, alongside leading operetta stars from Poland\, at the Queensborough Performing Arts Center in New York.
URL:http://thevirtuosi.org/event/szymanowski-stabat-mater-2/
LOCATION:The Cathedral of St. Joseph\, 140 Farmington Ave\, Hartford\, Connecticut\, 06105
CATEGORIES:“We the People” Immigrant Stories in Music,2026 Polish Festival,2026-2027 Season,CT,Hartford,Y27 Concerts
ATTACH;FMTTYPE=image/png:http://thevirtuosi.org/wp-content/uploads/2026/07/2026-10-25.png
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261030T190000
DTEND;TZID=America/New_York:20261030T190000
DTSTAMP:20261110T221150
CREATED:20261027T120342Z
LAST-MODIFIED:20261027T120641Z
UID:12707-1793386800-1793386800@thevirtuosi.org
SUMMARY:Laura ANDREINI in Recitalwith pianist Blake Hansen
DESCRIPTION:In Program: Mozart\, Puccini\, Verdi\, Tosti\, Donizetti.\nJoin us for a selection of the favorites presented by a leading Florentine soprano\, Laura ANDREINI.\nLaura Andreini\nLaura Andreini is an accomplished soprano with over fifteen years of experience performing in prominent national and international opera productions and concert series.She began her musical education as a pianist in Arezzo before shifting her focus to vocal performance. She attended the Royal Conservatory of The Hague and graduated with highest honors from the Istituto di Alta Formazione Musicale R. Franci in Siena in 2010. She further honed her skills through prestigious programs\, including the Maggio Musicale Fiorentino Formation\, the Opera Studio Verista in Livorno\, and under the guidance of renowned masters like Luciana Serra and Celso Albelo. An internationally active artist\, Andreini has performed across major Italian venues such as the Teatro del Maggio Musicale Fiorentino\, Teatro Goldoni\, and Milan’s Auditorium della Sinfonica. Her global career spans numerous countries across Europe\, the Americas\, and Africa\, including notable appearances at Carnegie Hall in New York\, as well as performances in Russia\, Germany\, France\, Austria\, and Switzerland. She frequently collaborates with leading ensembles\, including the Maggio Musicale Fiorentino Chamber Orchestra. \n\nBlake Hansen\nA much sought after accompanist and chamber musician\, Blake Hansen holds the position of rehearsal and performance accompanist for the Connecticut Lyric Opera\, Hartford Opera Theater\, Hartt School Choirs\, Madison Lyric Stage\, and the Greve Opera Academy in Italy. He also accompanies several choirs in Connecticut\, including the choirs of The Hartt School\, CONCORA\, and the Griswold Community Chorus. As a chamber musician\, he currently collaborates with pianist and mezzo-soprano Rebecca Batista de Almeida and violin virtuoso Adrian Sylveen. Hansen has performed in notable venues such as Steinway Hall in New York City\, Teatro Municipal de Niteroi\, Brazil\, and the Illsley Ball Nordstram Hall in Seattle\, Washington. Blake Hansen graduated from The Hartt School\, University of Hartford\, in 2013 with a Master of Music in piano performance under the tutelage of Luiz de Moura Castro. He now performs frequently as an accompanist and soloist in the U.S.\, South America\, and Europe. Although primarily a pianist\, he also pursued studies in violin\, double majoring on both instruments during his undergraduate studies at Principia College.
URL:http://thevirtuosi.org/event/laura-andreini-in-recitalwith-pianist-blake-hansen/
LOCATION:St. James Episcopal Church\, 3 Mountain rd.\, Farmington\, CT\, 06032
CATEGORIES:2026-2027 Season,Hartford,New Britain,St. James Church
ATTACH;FMTTYPE=image/jpeg:http://thevirtuosi.org/wp-content/uploads/2026/10/Laura-Andreinism1.jpg
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261025T180000
DTEND;TZID=America/New_York:20261025T180000
DTSTAMP:20261110T221150
CREATED:20260720T170535Z
LAST-MODIFIED:20261022T194833Z
UID:12451-1792951200-1792951200@thevirtuosi.org
SUMMARY:Szymanowski & Tracz (World Premiere)
DESCRIPTION:~ A part of the 2026 Polish Heritage Festival ~ \n“In Via” for Choir Soloists & Orchestra ……..Sandra Tracz\nA meditation on John Paul II (World Premiere) \nViolin Concerto no.2\, op. 61……………………..Karol Szymanowski\n        Brunilda Myftaraj\, violin \nStabat Mater\, op. 53………………………………..Karol Szymanowski\n         Laura Anderini\, soprano (Szymanowski)\n         Emily Tate Daniel\, soprano (Tracz)\n         AddieRose Brown\, alto\n         Laurentiu Rotaru\, bass (Tracz)\n         Wojciech Bonarowski\, baritone (Szymanowski) \nPolonia Children’s Choir\nSchola Cantorum Sanctae Rosae Limanae \nConnecticut Virtuosi Chamber Orchestra\nAdrian Sylveen\, conductor \n  \n \nAlbanian-American violinist Brunilda Myftaraj has drawn enthusiastic accolades from audiences as well as critical acclaim for her masterful musicianship in Albania\, Italy\, Greece\, France\, Morocco\, Austria\, Switzerland\, Poland\, Israel\, and in the United States. She has been praised by the New London Day critic as an “especially fine and beautiful player”. Although Myftaraj’s teachers are some of the world’s finest\, her true inspiration comes from audiences and her students. Her recordings of“Naked Violin” and “The American Pie” received impeccable reviews from Fanfare magazine. Brunilda was part of the Love’s Tango recording project with Alex Nakimovsky and June Bizantz\, which has been awarded a 2019 Silver Global Music Award. Currently Ms. Myftaraj holds the position of Concertmaster for the Connecticut Virtuosi Chamber Orchestra and Opera as well as the Greve opera festival in Italy. Brunilda has been a violin\, viola and chamber music teacher for over twenty five years in Farmington and Hartford Connecticut. Ms. Myftaraj has appeared at Carnegie hall as a soloist for several performances with the Virtuosi chamber orchestra with works by J.S.Bach\, W.A.Mozart and Alban Berg. She is a member of the Berkshire Bach Society. She holds a BA degree from the conservatory of the fine arts in Tirana\, Albania and MM in performance from Stony brook University in LI\, NY \nLaura Andreini is an accomplished soprano with over fifteen years of experience performing in prominent national and international opera productions and concert series.She began her musical education as a pianist in Arezzo before shifting her focus to vocal performance. She attended the Royal Conservatory of The Hague and graduated with highest honors from the Istituto di Alta Formazione Musicale R. Franci in Siena in 2010. She further honed her skills through prestigious programs\, including the Maggio Musicale Fiorentino Formation\, the Opera Studio Verista in Livorno\, and under the guidance of renowned masters like Luciana Serra and Celso Albelo. An internationally active artist\, Andreini has performed across major Italian venues such as the Teatro del Maggio Musicale Fiorentino\, Teatro Goldoni\, and Milan’s Auditorium della Sinfonica. Her global career spans numerous countries across Europe\, the Americas\, and Africa\, including notable appearances at Carnegie Hall in New York\, as well as performances in Russia\, Germany\, France\, Austria\, and Switzerland. She frequently collaborates with leading ensembles\, including the Maggio Musicale Fiorentino Chamber Orchestra. \n \nHailed for her “powerful\, rich voice with great control”\, Emily Tate Daniel is an American soprano on the rise. In the 2025 – 2026 season\, Emily makes her role debut as Nedda in Pagliacci with Greve Opera in July 2025\, a role she reprises in November 2025 with Connecticut Virtuosi Opera. She debuts with Regina Opera as Suor Dolcina in Suor Angelica\, covers the title role in Madama Butterfly with Maryland Opera\, sings Frasquita in Carmen with Connecticut Virtuosi Opera\, and performs the title role in Suor Angelica with Camerata Bardi Vocal Academy. Previous seasons have seen Emily as the title role in Luisa Miller at Verismo Opera\, Alice Ford (cover) in Falstaff at Opera San José\, Tosca (cover) in Tosca at Livermore Valley Opera\, and Erste Dame in Die Zauberflöte at Asheville Lyric Opera. She is an alumna of the San Francisco Conservatory and the Peabody Conservatory. \nPraised for her “velvety mezzo” (Wall Street Journal) and “warm and brilliant sound\, dripping with pathos” (Observer)\, AddieRose Brown brings heartfelt authenticity and theatrical imagination to both opera and concert stages. In the 2025–26 season she makes her mainstage debut with Opera on the James as Suzuki in Madama Butterfly\, returns to the Hudson Valley Singers for a solo program\, and appears as Belinda in Dido & Aeneas in Troy and Saratoga Springs. Her 2024–25 season included a Resident Artist appointment with Teatro Nuovo\, a company debut with Cambridge Chamber Ensemble in Menotti’s Labyrinth\, performances with Experiments in Opera\, and solo appearances in Mozart’s Coronation Mass and Corigliano’s Fern Hill. She also debuted with Giannetta in L’elisir d’amore\, Hansel in Hansel and Gretel\, and Siebel in Heartbeat Opera’s Faust. A passionate curator of new and poetic programs\, AddieRose has premiered works by living composers\, won NYC songSLAM\, and continues to champion contemporary American song. \nRomanian-born bass-baritone Laurentiu Rotaru is an acclaimed performer whose career spans opera\, concert\, and oratorio repertoire. Trained at the Conservatory of Bucharest\, he performed with the National Opera of Bucharest before establishing himself in the United States. A resident of Connecticut\, he holds degrees in music performance from Central Connecticut State University and the University of Connecticut. Mr. Rotaru has appeared with numerous opera companies and orchestras throughout North America and Europe\, including Connecticut Lyric Opera\, Connecticut Virtuosi\, Virtuosi OPERA\, Mississippi Opera\, Shreveport Opera\, Opera Theater of Connecticut\, and Cleveland Opera Circle. His repertoire includes such distinguished bass roles as Sarastro (Die Zauberflöte)\, Leporello (Don Giovanni)\, Don Basilio (Il barbiere di Siviglia)\, Sparafucile (Rigoletto)\, and Méphistophélès (Faust). A prizewinner in several vocal competitions\, including the National Association of Teachers of Singing Competition and the Connecticut Guild Opera Competition\, Rotaru made his Carnegie Hall debut in 2004. Equally at home in sacred and symphonic repertoire\, he is a sought-after interpreter of major works such as Handel’s Messiah\, Mozart’s Requiem\, Brahms’ Ein deutsches Requiem\, and Dvořák’s Requiem. \n \nWojciech Bonarowski is a graduate of the Academy of Music in Gdańsk (Faculty of Vocal and Acting Studies). He refined his vocal technique under the guidance of Halina Mickiewiczówna and Piotr Kusiewicz\, and through masterclasses with Ryszard Karczykowski\, Kaludi Kaludov\, Roland Panerai\, Katia Ricciarelli\, and Renata Scotto. He currently collaborates with conductor and pianist Pablo Zinger. He has performed in Poland and internationally\, including two tours across Western Europe with the ensemble of the Wrocław Opera as a soloist in The Magic Flute by W.A. Mozart. In the USA and Canada\, he has appeared at Carnegie Hall\, Notre-Dame Basilica in Montreal\, St. Patrick’s Cathedral in New York\, as well as at numerous prestigious cultural events within Polish diaspora communities. He is a finalist of the Marcella Sembrich-Kochańska International Vocal Competition in New York (2012) and the First Prize winner of the Nadezhda Obukhova International Vocal Competition in New York (2013). Most recently\, he appeared in the prestigious gala concert “The Magic of Operetta”\, alongside leading operetta stars from Poland\, at the Queensborough Performing Arts Center in New York.
URL:http://thevirtuosi.org/event/szymanowski-stabat-mater/
LOCATION:St. Rose of Lima R.C. Church\, 269 Parkville Ave\, Brooklyn\, NY
CATEGORIES:“We the People” Immigrant Stories in Music,2026 Polish Festival,2026-2027 Season,New York City,NYC,Y27 Concerts
ATTACH;FMTTYPE=image/png:http://thevirtuosi.org/wp-content/uploads/2026/07/2026-10-25.png
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261011T171500
DTEND;TZID=America/New_York:20261011T171500
DTSTAMP:20261110T221150
CREATED:20260930T135208Z
LAST-MODIFIED:20260930T141904Z
UID:12660-1791738900-1791738900@thevirtuosi.org
SUMMARY:Post-Concert Fundraising Reception
DESCRIPTION:Members of Board of the Virtuosi cordially invite you to a Reception following the Concert of the Orchestra on Sunday\, October 11th.\, 2026. \nReception at 5:15 p.m. \nat the Stadium XV Craft Kitchen & Sim Bar\n15 Farm Springs Rd\, Farmington\, CT \nPlease R.S.V.P. by October 8th.\nCLICK >>> patrons@thevirtuosi.org (860) 325-CVCO (2826)
URL:http://thevirtuosi.org/event/12660/
LOCATION:Stadium XV Craft Kitchen & Sim Bar\, 15 Farm Springs Rd\, Farmington\, Connecticut
CATEGORIES:2026 Polish Festival,2026-2027 Season,CT,New Britain,Y27 Concerts,Y27-Operas
ATTACH;FMTTYPE=image/png:http://thevirtuosi.org/wp-content/uploads/2026/09/VIRTUOSI-Fundraiser-invitation-Oct-11-2026.png
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261011T150000
DTEND;TZID=America/New_York:20261011T150000
DTSTAMP:20261110T221150
CREATED:20260720T170151Z
LAST-MODIFIED:20261008T143823Z
UID:12448-1791730800-1791730800@thevirtuosi.org
SUMMARY:26-27 Season Opening
DESCRIPTION:A part of the 2026 Polish Heritage Festival \nVariation on “Góralu\, czy ci nie żal?”……………………Adrian Sylveen\n(text M. Bałucki) \nPacierz Staropolski (“Old Polish Lord’s Prayer”)…..Jakub Polaczyk\nfor Baritone and Orchestra (world premiere) \nBallade no. 1 in G minor\, op. 23………………………..Fryderyk Chopin \nAndante spianato et grande polonaise brillante…..Fryderyk Chopin \nSoloists:\nLaurentiu Rotaru – bass\nIna Jun – piano \nConnecticut Virtuosi Chamber Orchestra\nAdrian Sylveen\, conductor \n\nRomanian-born bass-baritone Laurentiu Rotaru is an acclaimed performer whose career spans opera\, concert\, and oratorio repertoire. Trained at the Conservatory of Bucharest\, he performed with the National Opera of Bucharest before establishing himself in the United States. A resident of Connecticut\, he holds degrees in music performance from Central Connecticut State University and the University of Connecticut. Mr. Rotaru has appeared with numerous opera companies and orchestras throughout North America and Europe\, including Connecticut Lyric Opera\, Connecticut Virtuosi\, Virtuosi OPERA\, Mississippi Opera\, Shreveport Opera\, Opera Theater of Connecticut\, and Cleveland Opera Circle. His repertoire includes such distinguished bass roles as Sarastro (Die Zauberflöte)\, Leporello (Don Giovanni)\, Don Basilio (Il barbiere di Siviglia)\, Sparafucile (Rigoletto)\, and Méphistophélès (Faust). A prizewinner in several vocal competitions\, including the National Association of Teachers of Singing Competition and the Connecticut Guild Opera Competition\, Rotaru made his Carnegie Hall debut in 2004. Equally at home in sacred and symphonic repertoire\, he is a sought-after interpreter of major works such as Handel’s Messiah\, Mozart’s Requiem\, Brahms’ Ein deutsches Requiem\, and Dvořák’s Requiem. \nIna Jun\, a dynamic South Korean pianist now rooted in New York City\, brings a vivid blend of artistry to the stage—equally at home as a soloist\, chamber musician\, and collaborative partner. Her performances have illuminated series such as Puerto Piano & Strings\, the Festival of New American Music\, Music at Noon\, and the Renaissance Society Concert Series. A winner of the Moshe Paranov Concerto Competition for her commanding interpretation of Rachmaninoff’s Second Concerto\, she continues to shape her musical voice through wide‑ranging collaborations with ensembles including the Sacramento Philharmonic & Opera and Sacramento Contemporary Dance Theatre. Her chamber music work has earned her top prizes in the Watson and Hartt Chamber Music Competitions\, alongside numerous honors from organizations such as the Fresno Musical Club and Sekwang Piano Competition. Originally trained in South Korea before pursuing advanced studies in the United States\, Ina holds degrees from the Hartt School and California State University\, Sacramento\, culminating in a Doctor of Musical Arts. She is currently refining her collaborative artistry at The Juilliard School under Jonathan Feldman\, building on guidance from distinguished mentors who have shaped her distinctive musical sensibility. \n\nAbout the COMPOSERS: \nFryderyk Chopin stands among the most beloved and influential composers of the Romantic era. Born in Żelazowa Wola near Warsaw\, he displayed extraordinary musical gifts from an early age\, earning recognition as a child prodigy before completing his studies in Warsaw and establishing himself as one of the most remarkable pianists and composers of his generation. Although he spent much of his adult life in Paris\, Chopin remained deeply connected to his Polish heritage. His music transformed national dance forms such as the mazurka and polonaise into sophisticated concert works\, preserving the spirit of Poland while expanding the expressive possibilities of the piano. Chopin composed almost exclusively for the piano\, creating masterpieces that remain central to the instrument’s repertoire\, including nocturnes\, ballades\, études\, waltzes\, scherzos\, preludes\, sonatas\, and concertos. His works combine lyrical beauty\, poetic imagination\, harmonic innovation\, and profound emotional depth. Through his refined artistry\, he elevated the piano to new heights of expressive power and influenced generations of composers and performers. Despite a life cut short by illness at the age of thirty-nine\, Chopin’s legacy endures as a universal symbol of Romantic expression. His music continues to captivate audiences worldwide with its elegance\, intimacy\, and unmistakably human voice. \nJakub Polaczyk is a Polish-born\, New York-based composer\, pianist\, educator\, and cultural advocate whose music is celebrated for its imaginative synthesis of contemporary techniques\, classical traditions\, and diverse cultural influences. Drawing inspiration from spirituality\, ritual\, history\, and intercultural dialogue\, his works create distinctive sonic landscapes that balance expressive lyricism with innovative musical language. He has been recognized internationally for a body of work that reflects both his Polish heritage and a global artistic perspective. Polaczyk studied at the Jagiellonian University and the Krzysztof Penderecki Academy of Music in Kraków before continuing his education at Carnegie Mellon University in the United States. His teachers included notable figures such as Krzysztof Penderecki and Reza Vali. His compositions have been presented at major festivals and conferences across Europe\, North and South America\, Asia\, and Australia\, and performed by leading ensembles and orchestras at venues including Carnegie Hall and other prominent concert halls worldwide. Polaczyk has received numerous distinctions\, among them the American Prize in Composition and multiple international awards recognizing both his creative achievements and artistic leadership. In addition to his career as a composer and pianist\, Polaczyk serves on the faculty of The New York Conservatory of Music\, contributing actively to musical education and cultural life in New York and beyond. \nAdrian Sylveen is an award-winning conductor\, artistic director\, and educator active throughout the United States and Europe. He serves as Artistic Director of the Connecticut Virtuosi Chamber Orchestra and Connecticut Lyric Opera\, and has conducted more than thirty operatic productions in addition to a broad symphonic and chamber repertoire. Mr. Sylveen has appeared with orchestras and ensembles in the United States\, Poland\, Italy\, Israel\, Cuba\, Switzerland\, Germany\, and elsewhere\, collaborating with organizations including the Israel Chamber Orchestra\, Olsztyn Philharmonic\, Elbląg Chamber Orchestra\, and Orchestra da Camera di Greve-in-Chianti. He is the founder of the Classical Orchestra of Piła in Poland\, the Moniuszko Choir in Hartford\, and the Greve Opera Academy and Chamber Music Festival in Tuscany\, where he continues to serve as Artistic Director. A recipient of numerous awards in Europe and the United States\, Mr. Sylveen was honored with the Primus Inter Pares Award by the American Council for Polish Culture. He holds Master of Music and Artist Diploma degrees from the Yale School of Music and graduated with distinction from the Paderewski Academy of Music in Poznań\, Poland.
URL:http://thevirtuosi.org/event/26-27-season-opening/
LOCATION:New Britain Museum of American Art\, 56 Lexington St.\, New Britain\, CT\, 06052
CATEGORIES:“We the People” Immigrant Stories in Music,2026 Polish Festival,2026-2027 Season,CT,New Britain,The New Britain Museum of American Art,Y27 Concerts
ATTACH;FMTTYPE=image/png:http://thevirtuosi.org/wp-content/uploads/2026/07/2026-10-11-1.png
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260615
DTEND;VALUE=DATE:20260712
DTSTAMP:20261110T221150
CREATED:20260525T194937Z
LAST-MODIFIED:20260525T203305Z
UID:12322-1781481600-1783814399@thevirtuosi.org
SUMMARY:2026 GREVE Opera Academy & Chamber Music Festival
DESCRIPTION:www.GreveFestival.org \nSince 2015\, the Greve Opera Academy & Festival (a four‑week residency) has offered singers the opportunity to perform roles in fully staged productions with a professional orchestra. The 2026 edition will feature a full production of Le nozze di Figaro and additional concerts. Developed and led by an internationally acclaimed faculty\, the Academy includes daily voice lessons\, staging sessions\, Italian language instruction\, and more. Performances will take place in Greve‑in‑Chianti\, Figline Valdarno\, Florence\, and possibly other locations.
URL:http://thevirtuosi.org/event/2026-greve-opera-academy-chamber-music-festival/
LOCATION:Greve – Figline – Empoli – Firenze
CATEGORIES:2026-2027 Season,Greve - Figline - Empoli - Firenze
ATTACH;FMTTYPE=image/jpeg:http://thevirtuosi.org/wp-content/uploads/2024/04/Greve-2024-p1-e1717220619534.jpeg
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
END:VEVENT
END:VCALENDAR