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X-ORIGINAL-URL:https://thevirtuosi.org
X-WR-CALDESC:Events for Connecticut Virtuosi
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DTSTART:20261101T060000
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DTSTART;TZID=America/New_York:20260830T180000
DTEND;TZID=America/New_York:20260830T180000
DTSTAMP:20261002T195715
CREATED:20260822T215519Z
LAST-MODIFIED:20260826T220350Z
UID:12576-1788112800-1788112800@thevirtuosi.org
SUMMARY:SUMMER ’26:Franz SCHUBERT: Mass in GPERGOLESI: Stabat Mater
DESCRIPTION:Soloists:\nCaroline Christopher – soprano\,\nRebecca McFarland – alto\,\nAlex McCoy – tenor\,\nBrian Alvarado – baritone. \nSchola Cantorum Sanctae Rosae\,\nCommunity Members\,\nMembers of the New Britain Chorale\,\nthe VIRTUOSI String Ensemble\,\nAdrian Sylveen\, music director
URL:https://thevirtuosi.org/event/26schubert-2/
LOCATION:St. Rose of Lima R.C. Church\, 269 Parkville Ave\, Brooklyn\, NY
CATEGORIES:2026 Summer Festival,New York City,Summer Festival,Virtuosi Music Academy,VMF 26 NYC
ATTACH;FMTTYPE=image/png:https://thevirtuosi.org/wp-content/uploads/2026/07/PERGOLESI-SCHUBERT.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260830T130000
DTEND;TZID=America/New_York:20260830T130000
DTSTAMP:20261002T195715
CREATED:20260720T213909Z
LAST-MODIFIED:20260826T215946Z
UID:12390-1788094800-1788094800@thevirtuosi.org
SUMMARY:SUMMER ’26:COMMUNITY Choral Workshop @ St. Rose
DESCRIPTION:Schola Cantorum Sanctae Rosae | Community Members | members of the New Britain Chorale | the VIRTUOSI Ensemble\nAdrian Sylveen\, music director \nThe Workshop is open to all community singers. \n\nRegistration: CLICK HERE>>> or call 718-434-8040.\nStudy materials are provided HERE >>>\n1-3pm & 3:30-5:15pm rehearsal sessions\n6pm CONCERT PERFORMANCE\nThe fee for the workshop is the suggested donation of $35\nThe fee does NOT apply to the members of the St. Rose of Lima Church.\n\nAll events will be held at the St. Rose of Lima Church\, 269 Parkville Ave\, Brooklyn\, NY 11230
URL:https://thevirtuosi.org/event/26schubert/
LOCATION:St. Rose of Lima R.C. Church\, 269 Parkville Ave\, Brooklyn\, NY
CATEGORIES:2026 Summer Festival,New York City,Summer Festival,Virtuosi Music Academy,VMF 26 NYC
ATTACH;FMTTYPE=image/png:https://thevirtuosi.org/wp-content/uploads/2026/07/ADRIANSYLVEEN3.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260822T180000
DTEND;TZID=America/New_York:20260822T180000
DTSTAMP:20261002T195715
CREATED:20260717T145155Z
LAST-MODIFIED:20260818T214012Z
UID:12362-1787421600-1787421600@thevirtuosi.org
SUMMARY:SUMMER '26CHARTER OAK String QuartetMusic of Maurice RAVEL\, Jonathan KANE and more...
DESCRIPTION:Maurice Ravel: String Quartet in F major\, M.35\nJonathan Kane: “Convergence” for String Quartet\nMichael McLean: Rhumba\, Czardas\, Fandango\n\nCharter Oak String Quartet:\nAdrian Sylveen\nBrunilda Myftaraj\nJonathan Kane\nZachary Sears \nComposed in 1903\, Ravel’s String Quartet in F major is his first major chamber work and remains one of his most admired creations. Dedicated to his teacher Gabriel Fauré\, the quartet balances classical clarity with daring harmonic color. The first movement unfolds with radiant lyricism\, its themes delicately interwoven among the four instruments. The second movement\, a sparkling scherzo\, features pizzicato rhythms and exotic modal inflections that reveal Ravel’s fascination with Spanish and Eastern sonorities. The slow third movement offers a deeply expressive\, almost dreamlike atmosphere\, while the finale bursts with rhythmic vitality and bold contrasts. Ravel’s quartet exemplifies his gift for refinement and innovation\, standing as a cornerstone of early 20th‑century French chamber music. \nJonathan Kane’s “Convergence” is a musical exploration of the mathematical concept of the alternating convergent series. Two separate themes are presented\, one heavy and dark\, the other open and airy. As the piece oscillates between the two themes\, they transform\, each becoming more like the other until they meet in the center. The instruments\, too\, converge\, with first the viola and cello and later all four joining together to end the piece in unison. The quartet was written while Kane was a student at the Eastman School of Music\, studying both composition and mathematics\, as an attempt to bridge the seemingly disparate fields of math and music. It was originally performed by the Ying Quartet\, quartet in residence at the Eastman School. \nRhumba\, Czardas & Fandango by Michael Mclean are much more colorful and varied than its titles suggest. It’s a compact suite of character‑driven dances\, each written to give a standard string quartet both rhythmic flair and idiomatic fun\, all crafted to be immediately engaging for performers and audiences alike.
URL:https://thevirtuosi.org/event/brahms-ravel-kane-2/
LOCATION:St. Rose of Lima R.C. Church\, 269 Parkville Ave\, Brooklyn\, NY
CATEGORIES:2026 Summer Festival,New York City,Virtuosi Music Academy,VMF 26 NYC
ATTACH;FMTTYPE=image/png:https://thevirtuosi.org/wp-content/uploads/2026/07/Jonathan-Kane-1x2-1.png
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DTSTART;TZID=America/New_York:20260816T180000
DTEND;TZID=America/New_York:20260816T180000
DTSTAMP:20261002T195715
CREATED:20260713T181343Z
LAST-MODIFIED:20260818T210238Z
UID:12348-1786903200-1786903200@thevirtuosi.org
SUMMARY:SUMMER '26Pergolesi\, Schubert & more
DESCRIPTION:PROGRAM:\nYOUNG DIVISION SHOWCASE:\nVMI Composition No. 1…….Niall Kissi\nVMI Composition No. 2….…Iyana Kissi\nTheme from the Surprise Symphony………Joseph Haydn\nTwinkle\, Twinkle\, Little Star…….English lullaby\nNiall & Iyana Kissi\, piano solos \nViolin Concerto no. 6 op. 3 RV356\, Mov. 1 ……Antonio Vivaldi\nClaire Xie\, violin solo \nINSTITUTE ENSEMBLE:\n Stabat Mater p. 77…..Giovanni Battista Pergolesi\nStabat Mater Dolorosa\, duet\nCujus animam gementem soprano aria\nO quam tristis et afflicta duet\nQuae moerebat et dolebat alto aria\nQuis est homo duet\nVidit suum dulcem natumsoprano aria\nEja mater fons amoris alto aria\nFac ut ardeat cor meum duet\nSancta mater\, istud agas duet\nFac ut portem Christi mortem\, alto aria\nInflammatus et accensus duet\nQuando corpus morietur – Amen… duet\nSoloists: Caroline Christopher\, soprano\, Rebecca McFarland\, alto \nMass No. 2 in G major\, D 167……Franz Schubert\nKyrie\nGloria\nCredo\,\nSanctus – Osanna in excelsis\nBenedictus – Osanna in excelsis\nAgnus Dei\nSoloists: Caroline Christopher: soprano\, Terrence Fay: tenor\, Laurentiu Rotaru: bass \nThe Moniuszko Choir & Members of the New Britain Chorale:\nSopranos: Mary Pereira\, Eva Adamski\, Boguslawa Samsel Altos: Rebecca McFarland* Mariola Tarlowski\, Halina Bialkowski\, Tenors: Peter Perkins*\, Anna Kaczmarek\, Romuald Skiba\, Basses: David Kennedy* Janusz Socha\, Tony Bialkowski\, *- section leaders \n2026 Virtuosi Summer Music Institute Ensemble:\nViolins: Brunilda Myftaraj*\, Vy Hoang\, Sara Huo\, Claire Xie\, Chris Massa-Pelletier**\, Leo Gu\, Jonathan Kane*\, Cellos: Sharon Liu*\, Ayla Facchini\, Isaac St. Georges\, Double-Bass: Michael Asetta**\, organ: Nandan Cryar*\, Harpsichord and Conductor: Adrian Sylveen*\n* – Faculty\, ** – Guest Artist
URL:https://thevirtuosi.org/event/pergolesi-schubert/
LOCATION:First Presbyterian Church in Hartford\, 136 Capitol Ave\, Hartford\, CT\, 06105
CATEGORIES:2026 Summer Festival,Hartford,Virtuosi Music Academy,VMF26 HTFD
ATTACH;FMTTYPE=image/png:https://thevirtuosi.org/wp-content/uploads/2026/07/PERGOLESI-SCHUBERT.png
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DTSTART;TZID=America/New_York:20260809T180000
DTEND;TZID=America/New_York:20260809T180000
DTSTAMP:20261002T195715
CREATED:20260713T181215Z
LAST-MODIFIED:20260808T121104Z
UID:12346-1786298400-1786298400@thevirtuosi.org
SUMMARY:SUMMER '26Brahms: Clarinet QuintetRavel: String QuartetKane:“Convergence”
DESCRIPTION:Jonathan Kane\, (composer‑in‑residence): “Convergence” for string quartet\nJohannes Brahms: Clarinet Quintet\, op. 115\nMaurice Ravel: String Quartet \nCharter Oak String Quartet (Sylveen\, Myftaraj\, Kane\, Sears)\nJonathan Towney\, clarinet \nBrahms’s Clarinet Quintet (1891)\, composed for Richard Mühlfeld\, is a late‑style masterpiece suffused with autumnal warmth. The clarinet blends seamlessly into the strings\, its voice carrying lyrical melancholy in the opening movement. A tender Adagio follows\, serene yet pierced by a passionate outburst. The Andantino offers grace and charm\, leading into a playful scherzo. The Finale returns to darker hues\, weaving earlier themes into variations that dissolve into quiet resignation—an intimate\, profoundly moving farewell. \nRavel’s String Quartet in F major (1903)\, dedicated to Gabriel Fauré\, dazzles with radiant lyricism and daring harmonic color. Its sparkling scherzo\, with pizzicato rhythms and exotic inflections\, reveals Ravel’s fascination with Spanish and Eastern sonorities. The slow movement glows with dreamlike beauty\, while the finale bursts with rhythmic vitality. \nJonathan Kane’s “Convergence” is a musical exploration of the mathematical concept of the alternating convergent series. Two separate themes are presented\, one heavy and dark\, the other open and airy. As the piece oscillates between the two themes\, they transform\, each becoming more like the other until they meet in the center. The instruments\, too\, converge\, with first the viola and cello and later all four joining together to end the piece in unison. The quartet was written while Kane was a student at the Eastman School of Music\, studying both composition and mathematics\, as an attempt to bridge the seemingly disparate fields of math and music. It was originally performed by the Ying Quartet\, quartet in residence at the Eastman School.
URL:https://thevirtuosi.org/event/brahms-ravel-kane/
LOCATION:First Presbyterian Church in Hartford\, 136 Capitol Ave\, Hartford\, CT\, 06105
CATEGORIES:2026 Summer Festival,Hartford,Virtuosi Music Academy,VMF26 HTFD
ATTACH;FMTTYPE=image/png:https://thevirtuosi.org/wp-content/uploads/2026/07/BRAHMS-RAVEL-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T180000
DTEND;TZID=America/New_York:20260808T180000
DTSTAMP:20261002T195715
CREATED:20260717T144640Z
LAST-MODIFIED:20260902T202547Z
UID:12359-1786212000-1786212000@thevirtuosi.org
SUMMARY:SUMMER '26MAGIC of CHAMBER MUSIC:FAURE: Violin Sonata in AMOZART: Piano Quartet
DESCRIPTION:Brunilda Myftaraj\, violin\nIna Jun\, piano\nJonathan Kane\, viola\nCamden Archambeau\, Cello \nMozart’s Piano Quartet in G minor stands at the birth of an entirely new chamber‑music genre. Written in 1785\, it was the first substantial work to combine piano\, violin\, viola\, and cello—a combination that would later inspire Schumann\, Brahms\, Dvořák\, and Fauré. Yet its creation was anything but smooth: the quartet emerged from a commission that nearly collapsed\, a publisher who panicked\, and a composer unwilling to compromise.Publisher Franz Anton Hoffmeister had asked Mozart for three piano quartets\, expecting light\, marketable music for Vienna’s amateur musicians. Instead\, Mozart delivered a work of dramatic weight\, technical difficulty\, and operatic intensity. Hoffmeister feared it would not sell and released Mozart from the remainder of the contract. The G‑minor Quartet thus arrived not as a polite salon piece\, but as a statement of artistic independence. Despite its rocky start\, the G‑minor Quartet became the first great piano quartet in history. Its blend of symphonic ambition\, chamber intimacy\, and pianistic brilliance set a model that later composers would expand into some of the 19th century’s finest chamber works. \nComposed in 1876\, Fauré’s Violin Sonata in A major marked his arrival as a mature voice in French chamber music. The work blends lyricism and clarity with subtle harmonic daring\, foreshadowing the elegance of French impressionism. The first movement’s radiant energy gives way to a tender Andante\, where melody unfolds with quiet intimacy. A playful Scherzo sparkles with rhythmic wit\, and the Finale restores warmth and brilliance. Fauré’s refined craftsmanship and emotional restraint create music that feels both spontaneous and timeless\, a perfect balance of passion and poise.
URL:https://thevirtuosi.org/event/26fauremozart/
LOCATION:St. Rose of Lima R.C. Church\, 269 Parkville Ave\, Brooklyn\, NY
CATEGORIES:2026 Summer Festival,New York City,Virtuosi Music Academy,VMF 26 NYC
ATTACH;FMTTYPE=image/png:https://thevirtuosi.org/wp-content/uploads/2026/07/MOZART.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260802T180000
DTEND;TZID=America/New_York:20260802T180000
DTSTAMP:20261002T195715
CREATED:20260713T181026Z
LAST-MODIFIED:20260722T170910Z
UID:12344-1785693600-1785693600@thevirtuosi.org
SUMMARY:SUMMER '26Faure: Violin Sonata in A-majorMozart: Piano Quartet in G-minor
DESCRIPTION:An Inaugural Concert of the 2026 Summer Music Festival \nIna Jun – piano\nBrunilda Myftaraj – violin\nJonathan Kane – viola\nZachary Sears\, cello \nMozart’s Piano Quartet in G minor stands at the birth of an entirely new chamber‑music genre. Written in 1785\, it was the first substantial work to combine piano\, violin\, viola\, and cello—a combination that would later inspire Schumann\, Brahms\, Dvořák\, and Fauré. Yet its creation was anything but smooth: the quartet emerged from a commission that nearly collapsed\, a publisher who panicked\, and a composer unwilling to compromise.Publisher Franz Anton Hoffmeister had asked Mozart for three piano quartets\, expecting light\, marketable music for Vienna’s amateur musicians. Instead\, Mozart delivered a work of dramatic weight\, technical difficulty\, and operatic intensity. Hoffmeister feared it would not sell and released Mozart from the remainder of the contract. The G‑minor Quartet thus arrived not as a polite salon piece\, but as a statement of artistic independence. Despite its rocky start\, the G‑minor Quartet became the first great piano quartet in history. Its blend of symphonic ambition\, chamber intimacy\, and pianistic brilliance set a model that later composers would expand into some of the 19th century’s finest chamber works. \nComposed in 1876\, Fauré’s Violin Sonata in A major marked his arrival as a mature voice in French chamber music. The work blends lyricism and clarity with subtle harmonic daring\, foreshadowing the elegance of French impressionism. The first movement’s radiant energy gives way to a tender Andante\, where melody unfolds with quiet intimacy. A playful Scherzo sparkles with rhythmic wit\, and the Finale restores warmth and brilliance. Fauré’s refined craftsmanship and emotional restraint create music that feels both spontaneous and timeless\, a perfect balance of passion and poise.
URL:https://thevirtuosi.org/event/bernstein-serenade-faure-quintet-in-d-minor/
LOCATION:First Presbyterian Church in Hartford\, 136 Capitol Ave\, Hartford\, CT\, 06105
CATEGORIES:2026 Summer Festival,Hartford,Virtuosi Music Academy,VMF26 HTFD
ATTACH;FMTTYPE=image/png:https://thevirtuosi.org/wp-content/uploads/2026/07/Ina-Jun-Brunilda-Myftaraj-2.png
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