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DTSTART;TZID=America/New_York:20240609T150000
DTEND;TZID=America/New_York:20240609T170000
DTSTAMP:20260405T114959
CREATED:20230823T033457Z
LAST-MODIFIED:20240605T144930Z
UID:10343-1717945200-1717952400@thevirtuosi.org
SUMMARY:THE STORY OF BRAZIL IN MOTION WITH FELIPE PULETINI
DESCRIPTION:“We the People” Immigrant Stories in Music – Part Eight:\nViolinist Brunilda Myftaraj leads the Virtuosi in a concert featuring Brazilian-American choreographer Felipe Puletini and Ballet RI dancers Alexa Kearnan & Garret McNally. The love of movement and its artistic expression in dance are essential elements of Brazilian culture and music. These traditions are reflected in the work of the Brazilian American dancer Felipe Puletini and his AMA Dance Theatre. The event’s repertoire will feature Sonata for strings “O Burrico de Pau” (The Wooden Donkey) by Antônio Carlos Gomes\, an ever-beautiful Symphony No. 29 in A Major\, K201 by W. A. Mozart\, and Bachianas Brasileiras No.9\, by Heitor Villa-Lobos. \nFOR ADMISSION PLEASE VISIT: https://nbmaa.org/events/sunday-music-series-2024 \n\nFelipe Puletini\nFelipe Puletini is a member of the International Dance Council – CID/ UNESCO. Puletini is currently the head of the children’s division and company manager for Ballet RI. His responsibilities include coordinating the school and being the children’s cast director for The Nutcracker\, as well as assisting the dance company’s directors in organizing productions\, scheduling\, communications\, cultivation of donors\, and tour management. Throughout his professional career in Brazil and the USA\, he has performed in repertory classical ballet\, musical theater\, and Brazilian television. Career highlights include Cinderella\, Swan Lake\, Paquita\, Don Quixote\, The Nutcracker\, Don Quixote (Cuban version)\, and La Fille Mal Guardée (Cuban version)\, I Gotcha! (Bob Fosse and Fred Ebb)\, The Hunchback Of Notre Dame\, The Lion King\, The Little Mermaid\, and the ensemble in 1st Bibi Ferreira Awards (The Brazilian Tony Awards). His repertory includes contemporary works by Rodney Rivera\, Sergei Vanaev\, Alejandro Ulloa\, Lauren Edson\, Gabrielle Lamb\, Catherine Fellows\, Pascal Rekoert\, and Nan Giordano. Puletini is a guest teaching artist for Central Connecticut State University (Dance Education)\, and coaches/choreographs for many schools in New England. As a choreographer and dancer\, he has collaborated with the New Britain Symphony Orchestra\, the Mystic River Chorale\, Mystic Outdoor Festival Performing Arts Stage\, the University of South Carolina – Beaufort\, and New England Ballet Theatre of CT. \nGarret McNally began his classical training in 2008 at the Robert Ivey Ballet in Charleston\, SC. In 2014\, he attended the University of North Carolina School of the Arts High School Program training under Susan Jaffe\, Jared Redick\, Misha Tchoupakov\, Frank Smith\, and others. There his passion for dancing grew\, performing many works including August Bournonville’s Napoli Pas de Six\, Frederick Ashton’s Birthday Offering\, George Balanchine’s Allegro Brillante\, Donizetti Variations\, and Serenade\, Helen Pickett’s Petal\, Natalia Makarova’s La Bayadere\, and Michel Folkine’s Les Sylphides. Afterwards\, he joined the New Orleans Ballet Theatre amid studying History at the University of New Orleans. After graduating in 2021\, he joined the Richmond Ballet as a Second Company dancer being promoted into the main company the following season. There he worked and performed in Malcolm Burn’s Romeo & Juliet\, Stoner Winslett’s Echoing Past\, and The Nutcracker\, MaCong’s Thrive\, Firebird\, and Ershter Vals\, Jerome Robbins’ In the Night\, George Balanchine’s Allegro Brillante\, and Serenade\, as well as works by Jennifer Archibald\, Val Caniparoli\, Yury Yanowsky\, Nicolo Fonte\, and Katarzyna Skarpetowska. This is his second season with Ballet RI. \nAlexa Kearnan is from Uxbridge\, Massachusetts where she trained at Deane Dance Studio in Mendon\, Massachusetts. Alexa started dancing with Ballet RI as a trainee during the 2021/2022 season. She is returning to her fourth season with Ballet RI now promoted as an Apprentice. \nAlbanian-American violinist Brunilda Myftaraj has drawn enthusiastic accolades from audiences as well as critical acclaim for her masterful musicianship in Albania\, Italy\, Greece\, France\, Morocco\, Austria\, Switzerland\, Poland\, Israel\, and in the United States. She has been praised by the New London Day critic as an “especially fine and beautiful player”. Although Myftaraj’s teachers are some of the world’s finest\, her true inspiration comes from audiences and her students. Her recordings of“Naked Violin” and “The American Pie” received impeccable reviews from Fanfare magazine. Brunilda was part of the Love’s Tango recording project with Alex Nakimovsky and June Bizantz\, which has been awarded a 2019 Silver Global Music Award for Outstanding Achievement in the album & lyrics/songwriting categories. Ms. Myftaraj currently holds the position of Concertmaster for the Connecticut Virtuosi\, Connecticut Lyric Opera and Greve opera festival in Italy. She is the director of the Virtuosi Music Academy and the Summer Music Institute in Farmington Connecticut\, where she also teaches violin and chamber music. \nAbout the Series \nConnecticut Virtuosi’s “We The People” concert series was partly funded by an Arts grant from the National Endowment for the Arts. From 2021 to 2024 the Virtuosi will introduce audiences to the rich and diverse cultural threads woven by America’s immigrants into 20th and 21st-century music. Each concert features an immigrant composer and/or musician whose music reflects inspiration from a distinct culture or group of cultures. Each concert includes written and/or spoken word pieces by writers who are themselves immigrants from the culture(s) being highlighted. When words fail\, music speaks. The series explores connections between cultures\, languages\, and people.
URL:https://thevirtuosi.org/event/the-story-of-brazil-in-motion-with-felipe-puletini-2/
LOCATION:New Britain Museum of American Art\, 56 Lexington St.\, New Britain\, CT\, 06052
CATEGORIES:“We the People” Immigrant Stories in Music,2023-2024 CVCO Concert Season,New Britain,The New Britain Museum of American Art
ATTACH;FMTTYPE=image/jpeg:https://thevirtuosi.org/wp-content/uploads/2023/08/Facetune_08-08-2022-22-23-47-scaled-e1708384150403.jpg
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240602T150000
DTEND;TZID=America/New_York:20240602T150000
DTSTAMP:20260405T114959
CREATED:20230823T033239Z
LAST-MODIFIED:20240529T191318Z
UID:10341-1717340400-1717340400@thevirtuosi.org
SUMMARY:The Story of Brazil in Motion with Felipe Puletini
DESCRIPTION:“We the People” Immigrant Stories in Music – Part Eight:\n \nViolinist Brunilda Myftaraj leads the Virtuosi in a concert featuring Brazilian-American choreographer Felipe Puletini and Ballet RI dancers Alexa Kearnan & Garret McNally. The love of movement and its artistic expression in dance are essential elements of Brazilian culture and music. These traditions are reflected in the work of the Brazilian American dancer Felipe Puletini and his AMA Dance Theatre. The event’s repertoire will feature Bachianas brasileiras No.9\, by Heitor Villa-Lobos\,  Sonata for strings “O Burrico de Pau” (The Wooden Donkey) by Antônio Carlos Gomes. \nThe concert and the Virtuosi Season will include an ever-beautiful Symphony No. 29 in A Major\, K201 by W. A. Mozart. \nTICKETS at: https://bushnell.org/shows-concerts/connecticut-virtuosi-the-story-of-brazil-in-motion \n\nFelipe Puletini\nFelipe Puletini is a member of the International Dance Council – CID/ UNESCO. Puletini is currently the head of the children’s division and company manager for Ballet RI. His responsibilities include coordinating the school and being the children’s cast director for The Nutcracker\, as well as assisting the dance company’s directors in organizing productions\, scheduling\, communications\, cultivation of donors\, and tour management. Throughout his professional career in Brazil and the USA\, he has performed in repertory classical ballet\, musical theater\, and Brazilian television. Career highlights include Cinderella\, Swan Lake\, Paquita\, Don Quixote\, The Nutcracker\, Don Quixote (Cuban version)\, and La Fille Mal Guardée (Cuban version)\, I Gotcha! (Bob Fosse and Fred Ebb)\, The Hunchback Of Notre Dame\, The Lion King\, The Little Mermaid\, and the ensemble in 1st Bibi Ferreira Awards (The Brazilian Tony Awards). His repertory includes contemporary works by Rodney Rivera\, Sergei Vanaev\, Alejandro Ulloa\, Lauren Edson\, Gabrielle Lamb\, Catherine Fellows\, Pascal Rekoert\, and Nan Giordano. Puletini is a guest teaching artist for Central Connecticut State University (Dance Education)\, and coaches/choreographs for many schools in New England. As a choreographer and dancer\, he has collaborated with the New Britain Symphony Orchestra\, the Mystic River Chorale\, Mystic Outdoor Festival Performing Arts Stage\, the University of South Carolina – Beaufort\, and New England Ballet Theatre of CT. \nGarret McNally began his classical training in 2008 at the Robert Ivey Ballet in Charleston\, SC. In 2014\, he attended the University of North Carolina School of the Arts High School Program training under Susan Jaffe\, Jared Redick\, Misha Tchoupakov\, Frank Smith\, and others. There his passion for dancing grew\, performing many works including August Bournonville’s Napoli Pas de Six\, Frederick Ashton’s Birthday Offering\, George Balanchine’s Allegro Brillante\, Donizetti Variations\, and Serenade\, Helen Pickett’s Petal\, Natalia Makarova’s La Bayadere\, and Michel Folkine’s Les Sylphides. Afterwards\, he joined the New Orleans Ballet Theatre amid studying History at the University of New Orleans. After graduating in 2021\, he joined the Richmond Ballet as a Second Company dancer being promoted into the main company the following season. There he worked and performed in Malcolm Burn’s Romeo & Juliet\, Stoner Winslett’s Echoing Past\, and The Nutcracker\, MaCong’s Thrive\, Firebird\, and Ershter Vals\, Jerome Robbins’ In the Night\, George Balanchine’s Allegro Brillante\, and Serenade\, as well as works by Jennifer Archibald\, Val Caniparoli\, Yury Yanowsky\, Nicolo Fonte\, and Katarzyna Skarpetowska. This is his second season with Ballet RI. \nAlexa Kearnan is from Uxbridge\, Massachusetts where she trained at Deane Dance Studio in Mendon\, Massachusetts. Alexa started dancing with Ballet RI as a trainee during the 2021/2022 season. She is returning to her fourth season with Ballet RI now promoted as an Apprentice. \nAlbanian-American violinist Brunilda Myftaraj has drawn enthusiastic accolades from audiences as well as critical acclaim for her masterful musicianship in Albania\, Italy\, Greece\, France\, Morocco\, Austria\, Switzerland\, Poland\, Israel\, and in the United States. She has been praised by the New London Day critic as an “especially fine and beautiful player”. Although Myftaraj’s teachers are some of the world’s finest\, her true inspiration comes from audiences and her students. Her recordings of“Naked Violin” and “The American Pie” received impeccable reviews from Fanfare magazine. Brunilda was part of the Love’s Tango recording project with Alex Nakimovsky and June Bizantz\, which has been awarded a 2019 Silver Global Music Award for Outstanding Achievement in the album & lyrics/songwriting categories. Ms. Myftaraj currently holds the position of Concertmaster for the Connecticut Virtuosi\, Connecticut Lyric Opera and Greve opera festival in Italy. She is the director of the Virtuosi Music Academy and the Summer Music Institute in Farmington Connecticut\, where she also teaches violin and chamber music. \nAbout the Series \nConnecticut Virtuosi’s “We The People” concert series was partly funded by an Arts grant from the National Endowment for the Arts. From 2021 to 2024 the Virtuosi will introduce audiences to the rich and diverse cultural threads woven by America’s immigrants into 20th and 21st-century music. Each concert features an immigrant composer and/or musician whose music reflects inspiration from a distinct culture or group of cultures. Each concert includes written and/or spoken word pieces by writers who are themselves immigrants from the culture(s) being highlighted. When words fail\, music speaks. The series explores connections between cultures\, languages\, and people.
URL:https://thevirtuosi.org/event/the-story-of-brazil-in-motion-with-felipe-puletini/
LOCATION:Bushnell Arts Center @ the First Presbyterian\, 136 Capitol Ave\, Hartford\, CT\, 06106
CATEGORIES:“We the People” Immigrant Stories in Music,2023-2024 CVCO Concert Season,Bushnell Arts Center,Hartford
ATTACH;FMTTYPE=image/jpeg:https://thevirtuosi.org/wp-content/uploads/2023/08/Facetune_08-08-2022-22-23-47-scaled-e1708384150403.jpg
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240211T150000
DTEND;TZID=America/New_York:20240211T150000
DTSTAMP:20260405T114959
CREATED:20230823T032158Z
LAST-MODIFIED:20240527T223108Z
UID:10338-1707663600-1707663600@thevirtuosi.org
SUMMARY:American Influencers: Hindemith\, Schoenberg\, Brahms
DESCRIPTION:“We the People” Immigrant Stories in Music – Part Seven:\n \nThe Program presents the music of legendary German & Austrian composers who left a legacy on both continents. They became influential in establishing 20th-century American musical heritage: Hindemith by teaching at YALE\, and Schoenberg at Universities in California: the Concert includes Paul Hindemith’s “TrauerMusik\,” Arnold Schoenberg’s “Verklarte Nacht.” Also in the program is Johannes Brahms’ Double Concerto for Violin and Cello. The concert will feature the principal cellist of the Virtuosi\, Zack Sears\, in his debut as a soloist\, with Adrian Sylveen on the violin. \nPROGRAM: \nPaul Hindemith: “Trauermusik”\nJohannes Brahms: The Double Concerto in A minor\, Op. 102 (red. chamber orchestra)\nZachary Sears\, cello\,  Adrian Sylveen\, violin\nArold Schoenberg: “Verklarte Nacht”
URL:https://thevirtuosi.org/event/romantic-influencers-hindemith-schoenberg-2/
LOCATION:New Britain Museum of American Art\, 56 Lexington St.\, New Britain\, CT\, 06052
CATEGORIES:“We the People” Immigrant Stories in Music,2023-2024 CVCO Concert Season,Chamber Music,New Britain,The New Britain Museum of American Art
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240204T150000
DTEND;TZID=America/New_York:20240204T150000
DTSTAMP:20260405T114959
CREATED:20230823T031306Z
LAST-MODIFIED:20240527T223108Z
UID:10336-1707058800-1707058800@thevirtuosi.org
SUMMARY:American Influencers: Hindemith\, Schoenberg\, Brahms
DESCRIPTION:“We the People” Immigrant Stories in Music – Part Seven:\n  \nThe Program presents the music of legendary German & Austrian composers who left a legacy on both continents. They became influential in establishing 20th-century American musical heritage: Hindemith by teaching at YALE\, and Schoenberg at Universities in California: the Concert includes Paul Hindemith’s “TrauerMusik\,” Arnold Schoenberg’s “Verklarte Nacht.” Also in the program is Johannes Brahms’ Double Concerto for Violin and Cello. The concert will feature the principal cellist of the Virtuosi\, Zack Sears\, in his debut as a soloist\, with Adrian Sylveen on the violin. \nPROGRAM: \nPaul Hindemith: “Trauermusik”\nJohannes Brahms: The Double Concerto in A minor\, Op. 102 (red. chamber orchestra)\nZachary Sears\, cello\,  Adrian Sylveen\, violin\nArold Schoenberg: “Verklarte Nacht” \n  \n\n			\n				\n			\n				\n				Zack Sears\, cello\n				\n			\n				\n			\n				\n				Adrian Sylveen\, violin
URL:https://thevirtuosi.org/event/romantic-influencers-hindemith-schoenberg/
LOCATION:Bushnell Arts Center @ the First Presbyterian\, 136 Capitol Ave\, Hartford\, CT\, 06106
CATEGORIES:“We the People” Immigrant Stories in Music,2023-2024 CVCO Concert Season,Bushnell Arts Center,Hartford
ATTACH;FMTTYPE=image/png:https://thevirtuosi.org/wp-content/uploads/2023/08/Copy-of-American-Infuenres.png
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231105T193000
DTEND;TZID=America/New_York:20231105T213000
DTSTAMP:20260405T114959
CREATED:20230823T005516Z
LAST-MODIFIED:20240527T223109Z
UID:10530-1699212600-1699219800@thevirtuosi.org
SUMMARY:"Vissi d'Arte" with Jurate Svedaite
DESCRIPTION:Jurate Svedaite\n“Visi d’Arte (Everything for Art)\,” is a tribute to the legendary Maria Callas to commemorate the 100th anniversary of her birth. Soprano Jurate Svediate does not portray La Divina but recalls her sentiments on the craft of singing\, the art of performance\, love\, and relationships\, intertwined with performance of some of her emblematic arias. As Jurate breathes life into Callas’ own words\, she’ll be accompanied by members of the CT Virtuosi\, creating a magical evening of reverence and remembrance.
URL:https://thevirtuosi.org/event/visi-darte-jurate-svedaite/
LOCATION:Weill Recital Hall at Carnegie Hall\, 154 W 57th St\, New York\, NY\, 10019\, United States
CATEGORIES:“We the People” Immigrant Stories in Music,2023-2024 CVCO Concert Season,New York City
ATTACH;FMTTYPE=image/png:https://thevirtuosi.org/wp-content/uploads/2023/08/weill-recital-hall-at-carnegie-hall-3v2-e1693239034351.png
ORGANIZER;CN="Connecticut Lyric Opera":MAILTO:info@ctlyricopera.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231015T150000
DTEND;TZID=America/New_York:20231015T170000
DTSTAMP:20260405T114959
CREATED:20230823T005516Z
LAST-MODIFIED:20240527T223109Z
UID:10261-1697382000-1697389200@thevirtuosi.org
SUMMARY:"Vissi d'Arte" with Jurate Svedaite
DESCRIPTION:“We the People” Immigrant Stories in Music – Part Six:\nConcert of Arias by Puccini\, Bellini\, and Verdi\, “Vissi d’Arte” stands as a luminous one-woman tribute to the legendary Maria Callas. Meticulously researched\, this theatrical journey blends Callas’ profound reflections with iconic arias she’s renowned for\, captivatingly performed by soprano\, Jurate Svedaite. Set against the intimate backdrop of Callas’ Paris apartment in September 1977\, the narrative unveils as Maria\, in conversation with an unseen journalist\, delves into her unparalleled triumphs\, poignant tragedies\, and profound insights on the art of performance. \nRadiant Lithuanian soprano\, Jurate Svedaite\, has performed throughout Europe and the United States with the Lithuanian National Chamber Orchestra\, the European Baroque Festival Opera\, Connecticut Lyric Opera\, Kaunas Chamber Orchestra\, Connecticut Virtuosi Chamber Orchestra\, the Lithuanian National Ensemble “Lietuva\,” and Mystic River Chorale\, among others in venues as varied as the Lithuanian Philharmonic\, Carnegie Hall’s Weill Recital Hall\, and Foxwood’s Resort and Casino. \nQuickly establishing herself as a stage performer of remarkable artistry and sensitivity capable of “transfixing audiences with moments of opera magic\,” in 2009/2010 Ms. Svedaite will add two contrasting Verismo roles to her repertoire – Nedda in Pagliacci and Lauretta in Gianni Schicchi – as well as reprising Adina in l’Elisir d’Amore. Her previous roles include Violetta in La Traviata\, Mimi in La Bohème\, Contessa in Le Nozze di Figaro\, Donna Anna in Don Giovanni\, Marguerite in Faust\, the title role in Floyd’s Susannah\, Micaela in Carmen\, Rosina in Il Barbiere di Siviglia\, Adina in l’Elisir d’Amore\, Tatyana in Eugene Onegin\, Mother in Amahl and the Night Visitors and Valencienne in The Merry Widow. An active performer of sacred works and oratorios as well\, her credits include Monteverde’s and Vivaldi’s Magnificats; Handel’s Messiah\, Bach’s Christmas Oratorio\, Coffee and Peasant Cantatas as well as numerous sacred cantatas; Mozart’s Requiem\, Exsultate Jubilate and Missa Brevis; Pergolessi’s Stabat Mater; and Faure’s Requiem. \nThe granddaughter of one of Lithuania’s most revered composers and arrangers of traditional music\, Jonas Svedas\, she began performing at an early age and made her recording debut at the tender age of twelve; also at that time\, she hosted several programs for children on national television. Ms. Svedaite later attended the Lithuanian Music Academy\, where she earned Bachelors and Masters and Degrees in Opera and Vocal Instruction. \n  \n 
URL:https://thevirtuosi.org/event/ct-virtuosi-concert-details-tba-2/
LOCATION:The Bushnell Performing Arts Center\, 166 Capitol Ave.\, Hartford\, CT\, 06106\, United States
CATEGORIES:“We the People” Immigrant Stories in Music,2023-2024 CVCO Concert Season,Hartford
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231008T150000
DTEND;TZID=America/New_York:20231008T170000
DTSTAMP:20260405T114959
CREATED:20230823T005036Z
LAST-MODIFIED:20240527T223109Z
UID:10256-1696777200-1696784400@thevirtuosi.org
SUMMARY:"Vissi d'Arte" with Jurate Svedaite
DESCRIPTION:“We the People” Immigrant Stories in Music – Part Six:\nConcert of Arias by Puccini\, Bellini\, and Verdi\, “Vissi d’Arte” stands as a luminous one-woman tribute to the legendary Maria Callas. Meticulously researched\, this theatrical journey blends Callas’ profound reflections with iconic arias she’s renowned for\, captivatingly performed by soprano\, Jurate Svedaite. Set against the intimate backdrop of Callas’ Paris apartment in September 1977\, the narrative unveils as Maria\, in conversation with an unseen journalist\, delves into her unparalleled triumphs\, poignant tragedies\, and profound insights on the art of performance. \nRadiant Lithuanian soprano\, Jurate Svedaite\, has performed throughout Europe and the United States with the Lithuanian National Chamber Orchestra\, the European Baroque Festival Opera\, Connecticut Lyric Opera\, Kaunas Chamber Orchestra\, Connecticut Virtuosi Chamber Orchestra\, the Lithuanian National Ensemble “Lietuva\,” and Mystic River Chorale\, among others in venues as varied as the Lithuanian Philharmonic\, Carnegie Hall’s Weill Recital Hall\, and Foxwood’s Resort and Casino. \nQuickly establishing herself as a stage performer of remarkable artistry and sensitivity capable of “transfixing audiences with moments of opera magic\,” in 2009/2010 Ms. Svedaite will add two contrasting Verismo roles to her repertoire – Nedda in Pagliacci and Lauretta in Gianni Schicchi – as well as reprising Adina in l’Elisir d’Amore. Her previous roles include Violetta in La Traviata\, Mimi in La Bohème\, Contessa in Le Nozze di Figaro\, Donna Anna in Don Giovanni\, Marguerite in Faust\, the title role in Floyd’s Susannah\, Micaela in Carmen\, Rosina in Il Barbiere di Siviglia\, Adina in l’Elisir d’Amore\, Tatyana in Eugene Onegin\, Mother in Amahl and the Night Visitors and Valencienne in The Merry Widow. An active performer of sacred works and oratorios as well\, her credits include Monteverde’s and Vivaldi’s Magnificats; Handel’s Messiah\, Bach’s Christmas Oratorio\, Coffee and Peasant Cantatas as well as numerous sacred cantatas; Mozart’s Requiem\, Exsultate Jubilate and Missa Brevis; Pergolessi’s Stabat Mater; and Faure’s Requiem. \nThe granddaughter of one of Lithuania’s most revered composers and arrangers of traditional music\, Jonas Svedas\, she began performing at an early age and made her recording debut at the tender age of twelve; also at that time\, she hosted several programs for children on national television. Ms. Svedaite later attended the Lithuanian Music Academy\, where she earned Bachelors and Masters and Degrees in Opera and Vocal Instruction. \n 
URL:https://thevirtuosi.org/event/visi-darte-with-jurate-svedaite-oct-8-nb/
LOCATION:New Britain Museum of American Art\, 56 Lexington St.\, New Britain\, CT\, 06052
CATEGORIES:“We the People” Immigrant Stories in Music,2023-2024 CVCO Concert Season,New Britain
ATTACH;FMTTYPE=image/jpeg:https://thevirtuosi.org/wp-content/uploads/2023/08/svedaite.jpg
ORGANIZER;CN="Connecticut Virtuosi Chamber Orchestra":MAILTO:info@thevirtuosi.org
END:VEVENT
END:VCALENDAR