"WE THE PEOPLE" Immigrant stories in music - part 10
Ottorino Respighi: Antiche danze et arie per liuto, Suite No.3
Ernesto Ferreri: Octet for Chamber Orchestra, op. 32
Johannes Brahms: Violin Concerto, Op.77
Adrian Sylveen, violin
Connecticut Virtuosi Chamber Orchestra
Damiano Tognetti, guest conductor
"WE THE PEOPLE" Immigrant stories in music - part 10
Ottorino Respighi: Antiche danze et arie per liuto, Suite No.3
Ernesto Ferreri: Octet for Chamber Orchestra, op. 32
Johannes Brahms: Violin Concerto, Op.77
Adrian Sylveen, violin
Connecticut Virtuosi Chamber Orchestra
Damiano Tognetti, guest conductor
"WE THE PEOPLE" Immigrant stories in music - part 10
Ottorino Respighi: Antiche danze et arie per liuto, Suite No.3
Ernesto Ferreri: Octet for Chamber Orchestra, op. 32
Johannes Brahms: Violin Concerto, Op.77
Adrian Sylveen, violin
Connecticut Virtuosi Chamber Orchestra
Damiano Tognetti, guest conductor
Featuring Historic 1940 Austin Pipe Organ
Concerto (Suite) for Violin, Cello and Organ, Op. 149 (Rheinberger, Josef Gabriel)
Program sponsored in part by Marjorie Jolidon Fund at the Hartford Foundation for Public Giving
We are happy to announce a week-long workshop presented by our Italian artists from Greve Opera Academy: Eugenio Milazzo (piano: Verdi, Puccini, Bel Canto, etc), and Giacomo Benedetti (Organist and harpsichordist, early Italian music specialist). The workshop will take place in NYC (location will be confirmed soon), with classes daily […]
A Concert Version of An opera by Giuseppe Verdi. The tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto’s daughter Gilda. The opera’s original title, La Maledizion (The Curse), refers to a curse placed on both the Duke and Rigoletto by the Count Monterone, whose daughter the Duke has seduced with Rigoletto’s encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by her father.
A Full Production of an opera by Giuseppe Verdi. The Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s’amuse by Victor Hugo. The opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi’s sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi’s middle-to-late career.
An opera in three acts by Giuseppe Verdi. The Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s’amuse by Victor Hugo. The opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi’s sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi’s middle-to-late career.
"WE THE PEOPLE" Immigrant stories in music - part 11
PROGRAM DETAILS TO BE ANNOUNCED SOON
"WE THE PEOPLE" Immigrant stories in music - part 11
PROGRAM DETAILS TO BE ANNOUNCED SOON